 |
The profound effects of this past on California—and on Berkeley,
where 40 percent of the undergraduates are Asian-American—may yet pale before the
new forces driving China’s relationship with the United States. Long repressed, China’s
unleashed entrepreneurial energies deliver an astonishing 9 percent growth every year.
Inside the country, the largest migration in the history of the world is under way, as
125 million rural Chinese move toward the cities and manufacturing jobs. Already, China
is the largest manufacturer of American consumer goods. Bottled up by both countries’
nativism, cultural interplay—from American discos in Beijing to feng shui,
dim sum, and kung fu in California—has also been unleashed.
We are entering what Institute of International Studies Director
Steven Weber calls the Sino-American Era, with accompanying tensions over intellectual
property rights (which underpin both Silicon Valley and Hollywood), currency, competition
for oil, and the environmental destruction that has followed China’s rapid growth.
(Already, coal burning in China contributes to air pollution in Los Angeles.) And no
one can be sure of the long-term stability of China’s authoritarian government, as was
highlighted by recent demonstrations in Hong Kong.
Berkeley has responded with a multidisciplinary China Initiative,
which will get a boost from the Tien Center now under construction. Schell and other
faculty, meanwhile, are busy building bridges to Chinese academics in recognition that
California’s leading university, which has long been an educational beacon to Chinese
immigrants and Chinese-Americans, has inherited a unique opportunity and obligation to
help peacefully manage an increasingly vital and risky relationship with the largest
nation on earth.
A note on our new design: I admit to a degree of surprise in
discovering how many times the magazine has changed its name, format, and design
(see page 1 for some of them)—and to a degree of delight, particularly since the designs
trace the aesthetic and cultural times in which they lived. Michiko Toki undertook the
new design mindful of our goal to create both a Berkeley forum on leading-edge ideas in
science and culture, and our new magazine-within-a-magazine, called "Sather Gate,"
that in a spirited way focuses on news and information that connects alumni to each
other and the campus. With some pro-bono help from an international branding firm,
Turner Duckworth, we believe she has succeeded brilliantly. As always, we welcome your
comments.—K.T.
 |
page 1 |
| |
2 |
 |
| |
|
 |