Close Mobile Menu
Mantis shrimp

A Berkeley biologist investigates why mantis shrimp stick together.

Mantis shrimp are known in the scientific community for their ocular prowess—they can see more colors than a butterfly. Some scientists study the shrimp’s raptorial appendages, which can generate as much force as a 22-caliber rifle. Others study their intricate fighting rituals. But Molly Wright, a former graduate student in Berkeley’s Integrative Biology department, focuses on their sex lives.

Only 8 of some 500 known mantis shrimp species are socially monogamous. Wright studied two of these, Pullosquilla litoralis and P. thomassini, in the tropical waters of Moorea. These two mantis shrimp usually mate in pairs, with both parents caring for offspring. But Wright found something even more unusual about these creatures: They don’t necessarily stay together for the kids.

In species of birds and mammals—more common subjects for social monogamy studies—biparental care is often cited as the reason why animals tend to pair up. That means Wright would expect to find larger egg clutches among paired mantis shrimp. But Wright discovered no difference in the weight of egg clutches between single and paired shrimp parents. So if biparental care doesn’t help the eggs, what is driving these shrimps to go steady?

Wright thinks predation could be the answer. She observed that more pairs lived closer to the coral heads, where there are more fish—both predators and prey for the shrimp—while the singles tended to live farther away. This means the pairs had a better chance for food, but were also surrounded by more potential danger. That’s where pairing up becomes an advantage.

“When individuals are paired, they don’t have to leave their burrow as often to look for food or mates. They greatly reduce their exposure to predation,” Wright says. Pairs also store food in their burrows and share foraging duties, further decreasing the need to venture outside solo and potentially be eaten.

Wright’s findings are intriguing because predation is not often thought of as shaping mating behaviors, and this may suggest that environmental influences play a stronger role than scientists previously assumed. But she still cannot conclusively say what is making these shrimp settle down.

They have “a lot of cool mating behaviors,” she says. “They are really complex animals, and I think we basically added a little piece to the puzzle of understanding how their reproduction works.”

More from the 2013 Fall Film Issue issue

Robert Reich being filmed

Lights, Camera, Economics

Robert Reich brings his message to the big screen. If charisma were measured in inches, Berkeley political economist Robert Reich would be a very tall man—but he’s short. Famously so, barely 4’11”. It’s not something he hides. To the contrary, he works his height the way a fat comic works his weight, beginning speeches with deadpan […]

Collage of people

Movie Romance

On a warm summer night in Berkeley, a diverse group of movie­goers congregates on the south side of campus, just off Bancroft, near the entrance to the Pacific Film Archive (PFA) Theater. The building is sort of a hip take on a Quonset hut—intended as a temporary alternative to the theater in the Berkeley Art Museum (BAM), which has been closed for retrofitting since 1999. Yet, like the eastern span of the Bay Bridge, it still serves dutifully, screening films nearly every night of the year.

Painting of James Schamus

The Man Behind the Movies

James Schamus is a rare specimen in the film business. Not only is he a high-powered movie executive—CEO of Focus Features, the art house division of NBC Universal—he is also a writer and producer of the first order, with a long list of credits that include The Ice Storm, Brokeback Mountain, and Lust, Caution. He received an Academy Award nomination for Brokeback Mountain (Best Picture) and two more for Crouching Tiger, Hidden Dragon, including Best Original Song (he wrote the lyrics). And, as if all that weren't enough, Schamus is also a professor of film theory at Columbia University in New York City. As you might expect from that last item on the CV, he has a Ph.D., but he only finished his dissertation in 2003, after Berkeley asked him to deliver that year's commencement address to the English Department. Tim Gray, editor-in-chief of Variety, told a reporter, "He's the only person in the business I've ever seen who said, 'I can't go to Cannes because I've got to work on my doctorate.'"