On mornings he can’t sleep, Ed White will brew up a pot of coffee, wander out to his studio, and paint through sunrise. Insomnia or no insomnia, he’s out there at least three days a week. He compares painting to digging. “You dig and you dig and you get to that point where you hit hardpan. And you just gotta keep digging.” On this particular morning, the “excavation” involved an old pickup truck Ed once saw abandoned near the beach on Kauai, its bed converted to a planter and overgrown with flowers. As he worked, the stereo played.
Arts + Letters
You won’t find a vampire in a Beverly Cleary book. There are no zombies, witches, warlocks, or wizards in the world inhabited by Ramona and Beezus Quimby, Ellen Tebbits, Henry Huggins, Henry’s dog Ribsy, or any of the fictional gang on Klickitat Street in Portland, Oregon. Hardcore drug use and teenage pregnancy are not addressed, and no one seems to suffer eating disorders. There are no celebrities or inside looks into the fabulous world of Manhattan’s elite. No major crimes get committed and no major natural or manmade disasters occur. There is zero texting.
The light is fading on a bitter-cold December afternoon in Berkeley, and Trevor Paglen is talking about spy satellites. Specifically, he’s explaining how hard it is to photograph them—not just because our government doesn’t want us to know they’re there but also because they’re a long way away. “You’re basically trying to shoot something the size of a car on the other side of the Earth, but actually it’s even farther,” he says, his words dissolving into a machine-gun laugh.
It was the insects that got to her first. Sylvia Sellers-García says family legend has it that even as a baby in Central America, the bugs made quite an impact on her. “They are very different from insects here,” says Sellers-García, a Ph.D. candidate in Latin American history at Berkeley. “They are un-ignorable.” She remembers the skin-crawling horror of coming home after dark when the light had been left on. That scene finds its way into her debut novel set in Guatemala, When the Ground Turns in Its Sleep:
Every April Fool’s Day, the San Francisco Public Library showcases a rather sizable but little-known archive within its holdings—the Schmulowitz Collection of Wit and Humor, or SCOWAH. It’s said to be one of the largest such assemblages in the world. And though it’s safe to say that few San Franciscans are aware of all this mirth in their midst, fewer still know anything about the man who stockpiled it.