Darrin Bell was about 5 years old when he discovered political cartoons. He was living in Southern California, and he came across the work of Paul Conrad while leafing through issues of the Los Angeles Times.
“I was just a little kid, but I learned about the Iran hostage crisis through Conrad,” Bell recalls. “I loved his images, and I asked my parents what they meant. They explained them to me, and I followed them avidly. I knew I wanted to do that kind of work someday.”