punk rock

Maker’s Mark: The KALX Origin Story

The radio station we now call KALX began life as an oddity in the basement of Ehrman Hall, a dormitory on Dwight Way. It had at its disposal a collection of records, mostly classical, a couple mics, a cheap recorder, and a Corina cigar box containing the most basic of mixing boards. The year was 1962.

This was not a sanctioned operation. It was not a political statement. It was barely even art. Radio KAL was, in fact, the work of geeks; driven, visionary, persistent, highly resourceful geeks.

Finding His Tribe: The Art of Charles Gatewood

I couldn’t decide what made me feel dirtier—looking at hundreds of pictures of naked girls, or rifling through the personal belongings of a man I’d never met. But I was doing both one evening in the Bancroft Library reading room, traversing the late photographer Charles Gatewood’s massive archive chronicling the kink, tattoo, and body modification subcultures of America and especially the West Coast.

From the Spring 2017 Virtue and Vice issue of California.

Opium Dreamland: Reporter Sam Quinones on Heroin, Pills and his Punk-Rock Roots

Punk rock, which was big during the years writer Sam Quinones spent at UC Berkeley, turned out to be more than just the background noise of an undergraduate life.

For Quinones, who double-majored in economics and American history, it provided an opportunity. He produced several punk shows while he was a student living at the now-shuttered Barrington Hall co-op, bringing in well-known bands such as The Dead Kennedys and Black Flag. “They were probably the biggest shows ever at Barrington Hall,” he said.

From the Fall 2015 Questions of Race issue of California.
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