sculpture

For the Love of Process: On Curating Cecilia Vicuña’s New Show

Art critic and professor Julia Bryan-Wilson likes process. So when she and Andrea Andersson co-curated About to Happen, a solo show by artist and poet Cecilia Vicuña, she photographed Vicuña gathering materials along the Louisiana coast for a site-specific sculpture at the Contemporary Arts Center in New Orleans. Bryan-Wilson thought those photos would enhance the exhibition.

A Feel for Art: Haptic Encounter at the Contemporary Jewish Museum

On a tour of the Contemporary Jewish Museum’s exhibit Jewish Folktales Retold: The Artist as Maggid, running through January 28, participants passed around a silicone squash representing Michael Arcega’s sculpture The Enchanted Island. The piece is inspired by a story about a shipwrecked rabbi going into a mansion and finding two objects on a table: a cornucopia and a ram’s horn to summon people to prayer. What does he choose? He’s hungry, so it’s the food.

Bruce Beasley Provides a Bright Spot for Oakland and for California

New York City or West Oakland? That was the choice facing young sculptor Bruce Beasley after his graduation from UC Berkeley in 1962. New York City was, as now, the epicenter of the art world, bursting with energy and promise, and teeming with young, aspiring artists from around the world. West Oakland, on the other hand, was an all but forgotten wasteland—impoverished, neglected, and crime-ridden. Yet, somehow, Beasley glimpsed opportunity.

“Rough as it appeared to the eye,” he said in a recent speech, “it seemed like a good place to be.”

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